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	<title>Comments on: Excellent article by Jacki Rand</title>
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	<link>http://museumblogging.com/2007/07/12/excellent-article-by-jacki-rand/</link>
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	<pubDate>Wed, 07 Jan 2009 07:54:16 +0000</pubDate>
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		<title>By: Nina Simon</title>
		<link>http://museumblogging.com/2007/07/12/excellent-article-by-jacki-rand/#comment-18</link>
		<dc:creator>Nina Simon</dc:creator>
		<pubDate>Wed, 18 Jul 2007 00:11:00 +0000</pubDate>
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		<description>A fascinating article.  I've felt conflicted about NMAI for a long time, because it is one answer to the question: what happens when you seek to create a museum not just about but by a group of non-professionals?  I'm constantly torn between enthusiasm for Web 2.0-like projects, in which visitors contribute content and curate, and highly narrative experiences that are the result of a single thematic design "story."  To me as a (non-Native) visitor, NMAI is confusing and superficial--the polyphony of voices washes out, rather than amplifying, the experiences presented.  And yet I know others who worked on or have visited the museum who believe that it represents a "success" in the telling of stories by the storytellers (and story owners) themselves.&lt;br/&gt;&lt;br/&gt;There's a related question/problem here that comes up in Jacki's essay--who decides who owns a story?  To Jacki, the stories that NMAI chose to tell were not sufficient to represent the Native American experience legitimately.  To me, the stories did not create a sufficiently cohesive or impactful experience.  And because they were not the work of a single designer, there's no one person for Jacki or me to point to and say "he/she got it wrong."  Is the process wrong?  Did they choose the wrong storytellers?  How can this work--the museum "by" the people?&lt;br/&gt;&lt;br/&gt;My guess is the fact that NMAI is a federal institution of a huge size makes it one of the most challenging places to embark on this kind of experiment.  In this way, I see it as a useful, not entirely successful innovation.  But that doesn't make it a great museum.  I hope they'll keep trying.</description>
		<content:encoded><![CDATA[<p>A fascinating article.  I&#8217;ve felt conflicted about NMAI for a long time, because it is one answer to the question: what happens when you seek to create a museum not just about but by a group of non-professionals?  I&#8217;m constantly torn between enthusiasm for Web 2.0-like projects, in which visitors contribute content and curate, and highly narrative experiences that are the result of a single thematic design &#8220;story.&#8221;  To me as a (non-Native) visitor, NMAI is confusing and superficial&#8211;the polyphony of voices washes out, rather than amplifying, the experiences presented.  And yet I know others who worked on or have visited the museum who believe that it represents a &#8220;success&#8221; in the telling of stories by the storytellers (and story owners) themselves.</p>
<p>There&#8217;s a related question/problem here that comes up in Jacki&#8217;s essay&#8211;who decides who owns a story?  To Jacki, the stories that NMAI chose to tell were not sufficient to represent the Native American experience legitimately.  To me, the stories did not create a sufficiently cohesive or impactful experience.  And because they were not the work of a single designer, there&#8217;s no one person for Jacki or me to point to and say &#8220;he/she got it wrong.&#8221;  Is the process wrong?  Did they choose the wrong storytellers?  How can this work&#8211;the museum &#8220;by&#8221; the people?</p>
<p>My guess is the fact that NMAI is a federal institution of a huge size makes it one of the most challenging places to embark on this kind of experiment.  In this way, I see it as a useful, not entirely successful innovation.  But that doesn&#8217;t make it a great museum.  I hope they&#8217;ll keep trying.</p>
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